Art Deco Abstract 6

Art Deco Abstract 6,  Arcrylic Painting by Yong, 40 x 60 cm, Abstrak, Pallette, Antique Modern Frame, Now Auction Start $300.00, Part of Money Gain for support Schollarship Indon Children (www.gloriaministry.com).

The promotion of the fine arts over the decorative in European thought can largely be traced to the Renaissance, when Italian theorists such as Vasari promoted artistic values, exemplified by the artists of the High Renaissance, that placed little value on the cost of materials or the amount of skilled work required to produce a work, but instead valued artistic imagination and the individual touch of the hand of a supremely gifted master such as Michelangelo, Raphael or Leonardo da Vinci, reviving to some extent the approach of antiquity. Most European art during the Middle Ages had been produced under a very different set of values, where both expensive materials and virtuoso displays in difficult techniques had been highly valued. In China both approaches had co-existed for many centuries: ink and wash painting, mostly of landscapes, was to a large extent produced by and for the scholar-bureaucrats or “literati”, and was intended as an expression of the artist’s imagination above all, while other major fields of art, including the very important Chinese ceramics produced in effectively industrial conditions, were produced according to a completely different set of artistic values.

About TOMOSAN

TOMOSAN is an artist, entrepreneur, leader, who have a dream for develop and educating disadvantaged children through the talents. TOMOSAN as a painter has produced hundreds of works which have been sold to almost the whole world, and some of his works to be auctioned for charity fundraiser. TOMOSAN as an entrepreneur has some conventional companies, e-commerce, virtual firms which pioneered the business along with several colleagues. TOMOSAN as a leader has created hundreds of entrepreneurs and leaders of character personalities, who currently heads several foundations and organizations.
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